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Google Docs, Final Draft, Celtx: Where Screenwriting Tools Stop Working

An honest look at Google Docs, Final Draft, Celtx and Notion for screenwriters, plus what a shooting script is, revision colors and how scene numbering works.

Sep 14, 20262 min read
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Google Docs, Final Draft, Celtx: Where Screenwriting Tools Stop Working

Every screenwriting tool is good at something. Most stop working somewhere between the beat board and the final draft. This is a fair look at the common options, plus the production terms you'll meet once a script moves toward shooting. We wrote our examples in Skrib.

Google Docs

Good at: free, easy sharing and comments. Stops working: screenplay format has to be faked with styles or add-ons, and there's nowhere to plan beats.

Final Draft

Good at: the long-time industry standard, production features. Stops working: it's paid desktop software, and planning tools are limited next to the script.

Celtx

Good at: pre-production tools like breakdowns and scheduling. Stops working: many features sit on paid plans, and the writing experience is only one part of the product.

Notion

Good at: notes, databases and research. Stops working: it doesn't format screenplays.

A screenplay beside its beat board in Skrib split screen
Skrib: the script and the beat board side by side, in one tab.

Do it in Skrib: a Screenplay project formats the script for you, and the board sits beside it in split screen.

Spec script vs shooting script

A spec script is written to sell and to read well: no scene numbers, few camera directions. A shooting script is the version used in production: scenes are numbered, and it's locked so pages can be tracked.

How scene numbering works

In a shooting script, each scene gets a number on both sides of the scene heading. When a scene is added after locking, it gets a letter, like 12A, so the other numbers don't change.

Revision colors

After a script is locked, changed pages are printed on colored paper so everyone knows which version they hold. A common sequence starts white, then blue, pink, yellow and green. Productions can vary it.

Adapting a book into a screenplay

Secure the rights first. Then cut hard: a novel's subplots rarely fit into 110 pages. Find the spine of the story and externalise the inner life.

The Skrib screenplay editor
Page count, scene count and word count in the footer.

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